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35mm · Medium · Large format
Up to 7200 DPI
Cloud or USB delivery
Magherafelt, Northern Ireland
Negative & Slide Scanning · Northern Ireland

Unlock what's hidden in your film & slides

35mm negatives, medium format roll film, large format sheet film and mounted slides — all digitised at resolutions that reveal detail never visible in the original print. Delivered to you via secure cloud link or USB, with your originals returned safely.

At a glance
7200
Max DPI for 35mm film
6400
DPI for medium format film
TIFF
Lossless archival master file
+ve
Negatives output as positives
35mm colour & B&W negatives
35mm mounted slides — Kodachrome, Ektachrome
Medium format 120 / 220 roll film
Large format 4×5, 5×7 sheet film & glass plates

Every frame holds a story

Film holds far more information than any darkroom print could ever release. At the right scanning resolution, colours, shadow detail and sharpness emerge that were never visible before.

More detail than any print
Film negatives hold far more tonal and colour information than even the best darkroom print could release. Scanning at high DPI recovers all of it.
Colour accuracy restored
We apply colour profile corrections for common film stocks — Kodachrome, Ektachrome, Fuji Velvia — giving you accurate, vibrant results true to the original scene.
Originals handled safely
Film strips and mounted slides are handled individually in anti-static protective sleeves. Every item logged in, and every item returned the same way.
TIFF + JPEG output
A lossless TIFF master for archiving and large reprints, plus a high-quality JPEG for sharing, printing, and everyday use — both included as standard.

See the difference

High vs Standard scan — drag to compare

Both images show the same scene from the same negative. Drag the divider to see exactly how much extra sharpness, tonal range and fine detail the high-resolution scan recovers compared to a standard output.

High resolution scan — full tonal detail
Standard scan — lower contrast and detail
Standard
High Res

Courthouse negative · Same frame · Standard vs high-resolution scan — drag to compare tonal detail in the sign, stonework and sky

Film formats we scan

Every format of film and slide

From a single roll of 35mm from a holiday in the 1980s to a cabinet of large format sheet film — tell us what you have and we'll quote accordingly.

35mm · 24×36mm frame
35mm colour negatives
4800–7200 DPI
The most common format — rolls of colour negative film from compact and SLR cameras. Scanned at 5400 DPI as standard, producing a 30+ megapixel image from each frame. 7200 DPI available for maximum detail.
C-41 colour process supported
Output as positive colour images
Strips or cut frames accepted
35mm · 24×36mm frame
35mm B&W negatives
4800–7200 DPI
Black and white 35mm film — from Ilford HP5 and FP4 to Kodak Tri-X and T-Max. Scanned with extended tonal range to preserve deep shadows and highlight detail throughout the full greyscale.
Extended tonal range capture
All common B&W film stocks
Output as greyscale positive
35mm mounted · 24×36mm
35mm colour slides
4800–7200 DPI
Mounted 35mm reversal / transparency film — Kodachrome, Ektachrome, Fujichrome Velvia and Provia. Scanned directly as transparencies to recover their vivid, saturated colour palette accurately.
Kodachrome colour profile applied
Plastic and cardboard mounts
Faded Kodachrome specialist
120 / 220 roll film
Medium format negatives
4800–6400 DPI
120 and 220 roll film in all frame sizes — 6×4.5cm, 6×6cm, 6×7cm, 6×9cm and 6×17cm panoramic. The larger negative size already holds exceptional detail; we scan at 6400 DPI to unlock all of it.
All 120 frame sizes supported
Colour and B&W
Panoramic 6×17 accepted
4×5" · 5×7" sheet film
Large format film
800–1200 DPI
4×5 and 5×7 inch sheet film from large format view cameras. At this film size, 800 DPI produces a final file of 100+ megapixels — extraordinary resolution for reprinting, exhibitions and archiving.
4×5 and 5×7 inch sheets
Colour and B&W negative or positive
100+ MP output at 800 DPI
Glass · Acetate · Nitrate
Glass plates & old film
600–800 DPI
Pre-war glass plate negatives, acetate safety film and early celluloid material. Handled with specialist care; fragile or damaged glass plates supported throughout scanning. Please contact us first to discuss.
Fragile material specialist care
Pre-1950 material accepted
Quote on request

The right DPI for every format

DPI requirements differ by format because the physical film size changes the calculation. Here's exactly what we scan at — and what that gives you in megapixels.

Film format Frame size Scan DPI Output resolution Equivalent MP
35mm colour negative Standard 24 × 36 mm 2400 DPI 2268 × 3402 px 7.7 MP
35mm negative / slide High detail 24 × 36 mm 7200 DPI 6804 × 10206 px 69.4 MP
Medium format 6×6 cm 56 × 56 mm 6400 DPI 14109 × 14109 px 199 MP
Medium format 6×7 cm 56 × 68 mm 6400 DPI 14109 × 17134 px 242 MP
Large format 4×5 inch 95 × 120 mm 600 DPI 2244 × 2835 px ~59 MP
Large format 5×7 inch 120 × 175 mm 600 DPI 2835 × 4134 px ~117 MP

* Higher DPI options available on request for all formats. We'll advise on the best resolution for your specific material when you enquire.


How it works

Simple from start to finish

Post your film to us, or arrange a local drop-off in Magherafelt. We handle everything else — and return your originals safely.

1
Free quote
Tell us what you have — format, approximate number of frames or rolls, condition. We'll reply with a clear fixed price within one working day, no obligation.
2
Send your film
Post using Royal Mail Tracked or Special Delivery, or drop off at our Magherafelt address by arrangement. We confirm safe receipt and log every roll and slide mount on arrival.
3
Scan & colour correct
Each frame scanned individually at the agreed resolution. Negatives inverted to positive, colour-corrected for the film stock, and quality-checked. TIFF and JPEG output files organised clearly.
4
Delivery & return
Files delivered via secure cloud link or loaded onto a USB drive. Your original film returned by tracked post in protective anti-static sleeves — every roll and every slide mount accounted for.

Delivery options

Get your files your way

Both options are available. Many customers choose both — a cloud link to share with family and a USB as a permanent local backup.

Cloud download
Secure cloud link
A password-protected download link sent to your email. Access and download all your scanned files on any device, anywhere. Share the link with family across NI and beyond.
Password-protected, secure download
Share with family across the world
Works on phone, tablet, or PC
USB drive
USB — physical copy
All scanned files loaded onto a USB drive, returned to you alongside your original film. No internet required — plug in and view immediately on any PC, Mac, or smart TV.
Files ready to use immediately
Returned with your original film
No internet connection required
Works on PC, Mac, smart TV

Film doesn't last forever

Every decade that passes, film deteriorates a little more. Fading, colour shifts, vinegar syndrome on acetate, scratches and mould. Digitising now preserves the image at its best — before more damage occurs.

Stop colour shifts
Colour negative film shifts towards orange or magenta over decades. Scanning now, with colour correction applied, fixes the image before further change occurs.
See what was never printed
Most rolls of film were never fully printed. There are frames on those negatives that haven't been seen as images since the shutter closed. Scanning reveals all of them.
Survive disaster
Film destroyed by fire, flood or damp is gone for ever. A digital backup on cloud storage survives anything. The time to create it is before the worst happens.
Share with family
A cloud link lets everyone see the same images — family members across Northern Ireland, the Republic, or anywhere in the world — with a single share.
Print at any size
A 35mm negative scanned at 7200 DPI produces a 69 megapixel file — enough to produce a stunning A1 print or a gallery canvas from a shot that was only ever a 6×4.
A gift worth giving
A USB of digitised family film is one of the most meaningful gifts you can give a parent or grandparent — memories they thought were inaccessible, brought back clearly.

Common questions

Negative & slide scanning FAQs

Questions we hear regularly from Northern Ireland customers. Still not answered? Just get in touch.

Yes — faded Kodachrome is one of our specialisms. Kodachrome slides from the 1950s to 1980s often develop a strong orange or magenta cast as the dye layers fade at different rates. We apply Kodachrome-specific colour profiles during scanning and can recover a surprisingly accurate representation of the original colours, even from heavily faded slides. Please mention the approximate date and condition when you enquire.
Absolutely. Just describe what you have as best you can — the size of the film, whether it's on a roll or in individual mounts, the colour (orange-brown is usually negative film, transparent is usually slides), and whether it's colour or black and white. We'll identify the format and quote accordingly. If you're unsure, a photo taken on your phone and emailed to us is often all we need.
Scanning the negative directly almost always produces better results than scanning a print made from it. The negative holds significantly more tonal and colour information than any print can capture — highlights, shadow detail and fine grain that the printing process loses. At 2400–7200 DPI, we recover that information. Many customers are amazed at the difference compared to even the best prints they had made at the time.
Yes, both. Black and white negatives are scanned with an extended tonal range to preserve detail in the deepest shadows and brightest highlights. We output them as greyscale positive images. Colour negatives are processed with appropriate colour profiles for the film stock where known, and output as positive colour images. If you have a mixed batch of both, that's fine — just let us know when you enquire.
Royal Mail Special Delivery is our recommended service for film — it's tracked, insured, and requires a signature on delivery. Place your film strips in paper envelopes or anti-static plastic sleeves before posting, and put those inside a padded envelope or small box so they don't bend or crease in transit. For mounted slides, a rigid plastic slide box inside a padded envelope works well. We'll confirm safe arrival by email as soon as your package is received and logged.
Yes — 7200 DPI is available for 35mm negatives and slides, producing a 69+ megapixel file per frame. At this resolution you'll begin to see the film grain itself, and the output is large enough for exhibition-quality printing at A0 and beyond. This is ideal for photographers who want the ultimate archival-quality digitisation of their film work, or for any frame with exceptional compositional or sentimental value. There is an additional charge for 7200 DPI scanning — ask us for a quote.
All film is returned by tracked post in anti-static protective sleeves — film strips in individual archival sleeves, mounted slides back in their original mounts or in protective plastic sheets. We log every roll and slide mount when it arrives and cross-reference the same list when returning, so nothing is ever misplaced. You'll receive a dispatch confirmation email when your package is sent.

Ready to digitise your film collection?

Tell us what you have and we'll reply with a clear, fixed-price quote within one working day. No obligation and no minimum order.

35mm, medium format and large format all accepted
Up to 7200 DPI for 35mm film
Originals returned in protective sleeves
Cloud link and USB both available
All enquiries treated in strict confidence
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